What year did Kodachrome come out?

What year did Kodachrome come out?

1973

Is slide film still available?

FujiFilm, for one, never stopped producing slide film and currently sells three different types: Velvia 50, Velvia 100, and Provia 100f. With that in mind, we thought it would be a great time to compare some of the great E-6 options available today.

Is slide film better than negative?

Color negative film offers a wider range of ISO speeds, has better exposure latitude, and overall is a much more forgiving film than slide film. E6 Slide film typically has a lower ISO with extremely fine grain, vivid colors.

What is Ektachrome good for?

Ektachrome comes in 35mm and 120. It’s known for its beautiful color and like most slide film, has super fine grain, rich saturated color, and is great for daylight shooting.

Is 120 film still made?

120 film is still a very popular medium format film, especially with the recent popularity of the Holga. The 120 film format was originally introduced by Eastman Kodak for its Brownie No. 2 in 1901. The 620 roll film was the same size, but didn’t have a spool and is discontinued.

Can you use 35mm film in a 120 camera?

You can still take photos with 35mm film if your camera is set to 120 film, but because it’s winding slightly more in between shots to account for the absent backing paper, your exposures will be more spaced out and you won’t get as many per roll.

What does 35mm stand for?

35 millimeter film

Why you need a 35mm lens?

The 35mm lens is considered the very beginning of wide angle lenses. It is the most subtle wide angle on the market and that is why it consistently delivers great shots. It is certainly not fish eye, certainly not super wide angle, but it is wide enough to capture a subject interacting with their environment.

How do I make my DSLR footage look like cinematic?

Make sure that your shutter speed is double the frame rate to help better control motion blur. Use the ISO settings to control your exposure. Use shallow depth of field (wide aperture) to direct the focus of the viewer for closer shots and a smaller aperture (large depth of field) for wider shots.